'This masterly paintings must be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains
Edmund Spenser is still one among Britain's most famed poets. With approximately seven-hundred entries this Encyclopedia presents a complete one-stop reference device for:
* appreciating Spenser's poetry within the context of his age and our own
* knowing the language, issues and characters of the poems
* effortless to discover entries prepared via topic.
By Jean Starobinski
«Pourquoi inventa Poppaea de masquer les beautés de son visage, que pour les renchérir à ses amants ?» demande Montaigne. Le caché fascine. Voir, regarder, c'est désirer saisir, pénétrer, posséder. Devenir «œil vivant» : tel est le vœu formulé par Rousseau. Interrogeant quelques grandes œuvres – Corneille, Racine, l. a. Bruyère, Rousseau, Stendhal –, Jean Starobinski montre remark, dans l. a. création littéraire, l'exigence du regard, dépassant et détruisant los angeles réalité noticeable, entraîne dans le monde de l'imaginaire ; remark aussi, aiguisée par l'obstacle et los angeles déception, elle incite à toutes les perversions : exhibitionnisme, voyeurisme, sadisme, refus de los angeles réflexion.
By Matthew Feldman
Samuel Beckett is a tough great of twentieth century literature, and Beckett experiences more and more specialize in the interwar interval for facts of Beckett's next include of an 'art of failure'. This monograph is predicated on shut research of the newly-released notebooks and transcriptions compiled by way of Beckett from 1929-1940, which shed very important and precise perception into Beckett's operating equipment, unique resources and literary improvement. specifically they show the important paradox that Beckett's professions of 'ignorance and impotence' have been based upon vast erudition and educational practices reflecting his pursuits in philosophy and psychology. this can be the 1st ebook to provide a longer learn of the way contemporary archival discoveries can give a contribution to the basic transformation of Beckett's really progressive literature.
Because the first quantity seemed in 1954, Tolkien's trilogy, The Lord of the jewelry, has turn into essentially the most largely enjoyed works of fiction ever released, and the topic of a blockbuster movie model. In its mixture of epic and fairy-tale, uncanny surroundings and ethical strength, it really is certain in smooth English literature. In grasp of Middle-Earth, Paul Kocher makes a speciality of The Lord of the earrings, but in addition considers Tolkien's fiction as an entire, exhibiting the connection of the fast prose and verse narratives to the most important paintings. In chapters akin to 'Sauron and the character of Evil', 'The loose Peoples' and 'Aragorn' he lines Tolkien's valuable issues and preoccupations and casts an excellent gentle at the geography and population of Middle-Earth.
By Roland Barthes
Le degré zéro de l’écriture
« C’est parce qu’il n’y a pas de pensée sans langage que l. a. Forme est los angeles première et l. a. dernière example de l. a. responsabilité littéraire, et c’est parce que los angeles société n’est pas réconciliée que le langage institue pour l’écrivain une situation déchirée. »
Roland Barthes (1915-1980)
Intellectuel, écrivain et théoricien de los angeles littérature, par los angeles booklet en 1953, de son most popular livre, Le Degré zéro de l’écriture, il s'est imposé comme l’un des penseurs parmi les plus importants de l. a. modernité.
By Irene Tucker
By Peter Kaye
This e-book examines how seven significant English novelists--D. H. Lawrence, Virginia Woolf, Arnold Bennett, Joseph Conrad, E. M. Forster, Henry James, and John Galsworthy--responded to the paintings of the Russian author Fyodor Dostoevsky within the early years of the 20th century. Dostoevsky's paintings provoked heated and exaggerated responses, either optimistic and damaging, from those English writers. A learn in their literary and demanding reactions to Dostoevsky illuminates their aesthetic and cultural values, and the character of the trendy English novel.
The essays during this assortment have been initially given on the foreign colloquium Cent Ans de Bataille: l. a. Bataille de Cent Ans held on the Fondació Tàpies in Barcelona in September 1998. they're written from various views yet are drawn jointly via the singular goal of addressing and interrogating Georges Bataille as our modern whose fascination with the rupture among legendary and experimental varieties of discourse defines our personal age up to it did in Bataille’s personal time. extra accurately, the essays during this assortment diversity over Bataille’s prestige as a novelist, a poet, an paintings critic, a thinker and a prophet of post-modernity with this objective in brain. They not just search to boost and make clear debate approximately Bataille’s current prestige within the post-modern canon but in addition shed new gentle at the advanced relation among Bataille and the current new release of readers who've come to him in the course of the prism of post-modernist notion. it's of importance for every author during this assortment, so much crucially, that the premonition of disaster which outlined Bataille’s fluid political positions is usually positioned among tragedy and irony. desk of Contents Andrew HUSSEY: The Beast at Heaven’s Gate: Georges Bataille and the paintings of Transgression Boris BELAY: Le mystery du corps de Madame Edwarda (Bataille de los angeles philosophie à l. a. limite de l’obscène) Martin CROWLEY: L’eschatologie trouée de Ma Mère Lina FRANCO: Deux écrivains face à l’histoire: George Bataille et Elio Vittorini. l. a. hantise du politique Patrick FFRENCH: soiled lifestyles Paul HEGARTY: As Above, So under; Informe/Sublime/Abject Andrew HUSSEY: ‘The Slaughterhouse of Love’: The Corpse of ‘Laure’ Ian JAMES: From recovery to Simulacrum: Klossowski’s Readings of George Bataille Cathy MACGREGOR: the attention of the typhoon: woman illustration in Bataille’s Madame Edwarda and Histoire de l’oeil John PHILIPS: ‘The legislations of the Mother’: Masochism, Fetishism and Subjectivity in George Bataille’s Histoire de l’oeil Malcolm POLLARD: The Use-Value of Georges Bataille: Philippe Sollers and the Act of Writing Richard WILLIAMS: Informe and ‘Anti shape’ Notes on individuals
By Tina Chanter
Argues for the significance of the overlooked topic of slavery in Antigone.
during this groundbreaking publication, Tina Chanter demanding situations the philosophical and psychoanalytic reception of Sophocles’ Antigone, which has principally neglected the problem of slavery. Drawing on textual and contextual proof, together with historic assets, she argues that slavery is a structuring subject matter of the Oedipal cycle, yet person who has been written out of the record.
Chanter focuses particularly on appropriations of Antigone: The Island, set in apartheid South Africa, and Tègònni, set in nineteenth-century Nigeria. either performs are encouraged via the determine of Antigone, and but they remodel her importance in vital ways in which require us to come to Sophocles’ “original” play and attend to a few of the motifs which have been marginalized. Chanter explores the complicated set of kinfolk that outline electorate in preference to noncitizens, loose males as opposed to slaves, males as opposed to ladies, and Greeks as opposed to barbarians. Whose Antigone? strikes past the slim confines critics have inherited from German idealism to reinvigorate debates over the which means and importance of Antigone, situating it inside a much broader argument that establishes the salience of slavery as a structuring theme.
“Readers will examine greatly from this pretty, impassioned, and erudite book.” — Mary Beth Mader, writer of Sleights of cause: Norm, Bisexuality, Development