Blue, the world's favourite colour, is elegantly showcased in additional than two hundred artistic endeavors from the gathering of the Museum of excellent Arts, Boston. Representing a range of hobbies, cultures, and media that spans the a while and the globe, the gadgets in Blue diversity from historic Egyptian jewellery and standard jap prints to Impressionist work and indigo-dyed textiles. brief essays from museum curators at the importance and symbolism of the colour at numerous occasions and locations offer historic context for this visible ceremonial dinner. With web page edges dyed blue, this targeted quantity is a bijou treasure.
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Extra info for Blue: Cobalt to Cerulean in Art and Culture
1758–69 Dish Made at: Chelsea Manufactory, England, energetic 1745–1769 Soft-paste porcelain 22. nine × 33 cm (9 × thirteen in) Museum of good Arts, Boston present of Richard C. Paine, 30. 354 Museum of good Arts, Boston The Daphne Farago assortment, 2006. 208 Reproduced with permission. web page 153 Norman Lewis, American, 1909–79 Harlem Jazz Jamboree, 1943 Oil on canvas forty five. 7 × forty. 6 cm (18 × sixteen in) Museum of excellent Arts, Boston Charles H. Bayley photograph and portray Fund, 2007. five The property of Norman Lewis, Courtesy of Landor tremendous Arts, New Jersey Reproduced with permission. web page 154 Nubian, vintage Kerma, ca. 1700–1550 BC Forepart of a Reclining Lion Findspot: Nubia (Sudan), Kerma, Chapel ok II: A Glazed quartzite eight. four × 12 cm (3 ⁵⁄₁ ₆ × four¾ in) Museum of good Arts, Boston Harvard University—Boston Museum of excellent Arts day trip, thirteen. 4229 web page 154 Roman, 1st century BC–AD 1st century forged Rib Blue Bowl Glass four × thirteen cm (1⁹⁄₁₆ × five⅛ in) Museum of good Arts, Boston M. Elizabeth Carter Collection—Anonymous reward, 18. 254 web page a hundred and fifty five Elsa Freund, American, 1912–2001 area Pendant with Circlet, ca. 1960 item position: Eureka Springs, Arkansas, or Deland, Florida Silver, glass, terra-cotta 19. 1 × eleven. four × 1. three cm, forty nine. 1 g (7½ × four½ × ½ in, zero. 1 lb) web page 156 Rembrandt Harmensz. van Rijn, Dutch, 1606–69 Artist in His Studio, ca. 1628 Oil on panel 24. eight × 31. 7 cm (9¾ × 12½ in) Museum of excellent Arts, Boston Zoe Oliver Sherman assortment, given in reminiscence of Lillie Oliver bad, 38. 1838 web page 157 Egyptian, overdue interval, Dynasty 26, 664–525 BC Shawabti of Neferseshempsamtik Faience 19 × five cm (7½ × 1 ¹⁵⁄₁ ₆ in) Museum of good Arts, Boston Hay Collection—Gift of C. Granville method, seventy two. 1675 web page 157 Egyptian, 3rd Intermediate Period–Late interval, Dynasty 2, 1070–332 BC Amulet of Nefertum Faience 6 cm (2⅜ in) Museum of excellent Arts, Boston Hay Collection—Gift of C. Granville manner, seventy two. 1926 web page 159 nationwide String tool company, American Resonator Guitar (Tricone Model), 1934 Nickel silver, ebony, plastic ninety eight × 36. 2 × eight. four cm (38⁹⁄₁₆ × 14¼ × 9⁵⁄₁₆ in) Museum of good Arts, Boston Helen B. Sweeney Fund, 1998. 193 web page 161 Attributed to: Boston and Sandwich Glass corporation, 1826–1888 Paneled Door from Roswell Gleason residence, ca. 1845–60 Glass, painted pine 335. 28 × 106. sixty eight cm (132 × forty two in) Museum of good Arts, Boston H. E. Bolles Fund, 1976. 671 web page 161 Louis F. Vaupel, American (born in Germany), 1824–1903 Goblet, ca. 1860–75 New England Glass Co. , East Cambridge, Massachusetts, 1818–1888 Blown, cobalt-blue cased glass, lower and engraved 15. 87 × 7. sixty two × 7. sixty two cm (6¼ × three × three in) Museum of good Arts, Boston Bequest of Dr. Minette D. Newman, sixty one. 1219 web page 162 web page 159 Joseph Stella, American, 1877–1946 previous Brooklyn Bridge, ca. 1941 Oil on canvas 193. sixty seven × 173. 35 cm (76¼ × sixty eight¼ in) Museum of good Arts, Boston reward of Susan Morse Hilles in reminiscence of Paul Hellmuth, 1980. 197 American, ca. 1700–50 Apothecary Jar Tin-glazed earthenware 26. 03 × eleven. forty three × eleven. forty three cm (10¼ × four½ × four½ in) Museum of good Arts, Boston Denman Waldo Ross assortment, 02.